New Angle: Voice

We continue our throw-back to the seventies, and take a deeper dive into the many facets of the women’s movement that impacted the practice of architecture.  Pushed to the side and rarely credited for her architectural work at Davis Brody,  Phyllis Birkby became a significant figure in extending the lesbian women's movement to architecture during the 1970s. Her environmental fantasy workshops played a crucial role in galvanizing the community, providing a creative and empowering space within a male-dominated profession.  Growing out of other consciousness raising techniques, freed up in her classes, Phyllis released the rigor of her conventional training to get down on the floor,  and lead the group in sketching their fantasies however outlandish on giant rolls of butcher paper.  She encouraged the women to imagine architecture above, below, and beyond the norm.  Birkby's work not only contributed to architectural discourse but also fostered a sense of collective identity among lesbian architects, highlighting the intersectionality of gender, sexuality, and professional identity in the field. In her later years, she focused on architecture for people marginalized in other ways – by addiction, by age, and by disability, again imagining spaces of community and support. Welcome to Beyond Architecture: The Fantasy Worlds of Phyllis Birkby   Special thanks in this episode to Stephen Vider, MC Overholt, Gabrielle Esperdy, Matthew Wagstaffe, Leslie Kanes Weisman and the Smith College Special Collections.   This podcast is produced by Brandi Howell, with editorial advising from Alexandra Lange.  New Angle Voice is brought to you by the Beverly Willis Architecture Foundation.  Funding for this podcast comes from the New York State Council on the Arts.  

That was some party. Even though I didn’t make it to the splashy opening, I did attend the transformational exhibition at the Brooklyn Museum, our subject in this episode. A rarely used sculpture gallery was filled with ranks and files of cheap drafting tables, their tops tilted to display what seemed to be pages out of the book, one spread to a table. It overwhelmed with information—but seemed void of the chatter of us working women.   Welcome to New Angle Voice, I’m your host, Cynthia Kracauer.  In this episode, we revisit the first significant effort to publicly tell the under-told stories of American women in architecture: “Women in American Architecture: A Historic and Contemporary Perspective.” On view at the Brooklyn Museum from February-April of 1977, the groundbreaking exhibition and simultaneous book, curated and edited by Susana Torre, clearly defined the state of play for women in the architecture profession. Alienated by the profound hostility expressed by the AIA, women architects found an accepting cohort at the Architectural League of New York. We organized. We canvassed. We raised our consciousnesses. The project team identified subjects so previously obscured as to be unknown, and then with the energy and drive of a furious mob, they broke through and laid the groundwork for scholarship, social change, and recognition of women architects for the next fifty years. Get your consciousness raised: listen to our voices. Here’s “Laying the Groundwork: Women in American Architecture, Spring 1977.”   Special thanks in this episode to Susana Torre, Andrea Merrett, Suzanne Stephens, Cynthia Rock, Deborah Nevins, and Robert AM Stern. This podcast is produced by Brandi Howell, with editorial advising from Alexandra Lange. Thanks also to production assistants Virginia Eskridge and Aislinn McNamara. New Angle Voice is brought to you by the Beverly Willis Architecture Foundation. Funding for this podcast comes from the National Endowment for the Humanities, the National Endowment for the Arts, and the Graham Foundation. We are beginning our third season, and hope that if you have followed our progress, that you will want to continue to support our ongoing efforts to tell women’s stories of challenge, struggle and success. Visit our website to make a contribution. www.bwaf.org.  

Sarah Pillsbury, or Sally as she was better known by her peers, and Jean Bodman were both architects who married architects.  As an architect who also married an architect, my perspective may be more inside baseball on the professional side, but utter awe and fascination on the family end. I’m Cynthia Phifer Kracauer, architect, Executive Director of the Beverly Willis Architecture Foundation, mother of only two, and your host.   Welcome to our last episode of New Angle Voice 2023.  It’s hard to look at the early days of TAC—the Architects Collaborative—for a time a world-class firm founded by two husband/wife couples and a handful of their classmates … with Walter Gropius thrown in to give them the gravitas that concealed their youth—without a bit of nostalgia.  Nostalgia for the naïve progressive ideology, nostalgia for that post World War 2 hope that the world could be remade through architecture—after all, Europe was rubble—and utter amazement that the firm fared as well as long as it did.  TAC was admired by women of my generation who saw two women partners with 13 children between them, garnering design awards, winning competitions, and acting on a world stage with far flung offices and impressive civic and institutional work.  For goodness sakes the National American Institute of Architects hired them for their new headquarters!  What could be more iconic.   Soon after the founding of the firm in 1947, Sarah and Jean wrote an article for House & Garden titled “Architecture, Family Style” which – as their biographer Michael Kubo writes – constituted something of a manifesto for the changing needs of the postwar housewife. But as we all know, sometimes youthful dreams don’t pan out. In this episode, we revisit the utopian fantasy that the Architects Collaborative built and take a look inside.  “Architecture, Family Style – The Lives and Work of Sarah Harkness and Jean Fletcher".   Special thanks in this episode to Sara Harkness and Joseph Fletcher, Michael Kubo and Amanda Kolson Hurley.  Current Six Moon Hill residents Linda Pagani and Barbara Katzenberg kindly opened their homes and shared their stories.  Long time TAC  partners Perry Neubauer and Gail Flynn were generous with their time as were Andrea Leers and Jane Weinzapfel.  The archival oral history of Sally Harkness comes from her interview with Wendy Cox.   This podcast is produced by Brandi Howell, with editorial advising from Alexandra Lange.   Thanks also to production assistants Virginia Eskridge and Aislinn McNamara. New Angle Voice is brought to you by the Beverly Willis Architecture Foundation.  Funding for this podcast comes from the National Endowment for the Humanities, the National Endowment for the Arts, and the Graham Foundation.  

1913 was the year of the grand march for suffrage in Washington DC, the 250,000 marchers and attendees eclipsed the coverage the following day of the inauguration of Woodrow Wilson.  Bellefonte, Pennsylvania, population 4216, had its own march, on the fourth of July. Costumes were di rigeur, with a goodly number of  stately toga clad ladies and a few wild harridans on horseback, along with our intrepid girl in her Cornell cap and gown:  Anna Wagner Keichline… a native Bellefutian. We had to see this for ourselves.  So I saddled up my 2002 Honda Minivan, and made the five hour drive from New York City west on Route 80 through gently rolling Allegheny mountains to find Bellefonte and interview Nancy Perkins, her grand niece.  Nancy, a designer herself, has become the engine of Anna’s transformation from a local talent to a polymath of invention.  Nancy is dedicated to preserving the work of her aunt.   She has gathered photos, patents, plans and drawings, and even has a “k-brick”, perhaps Anna’s best known invention - a composite form of brick that foreshadows our modern and ubiquitous concrete block.     Not every architect has the opportunity to build skyscrapers. In Bellefonte, Anna used her talents to improve the lives of her neighbors, by designing their houses and gathering places.  She adopted a gently accommodating architectural style in the shadow of all that high Victorian lacery, and designed sturdy churches, theaters, homes, schools, and recreation facilities in her hometown that still stand well and firmly in their context. Today, we present her story:  Anna Wagner Keichline: The Legacy of Invention.   Special thanks in this episode to Nancy Perkins, Sarah Lichtman, and Jennifer Kaufmann-Buhler. This podcast is produced by Brandi Howell, with editorial advising from Alexandra Lange.   Thanks also to production assistant Virginia Eskridge. New Angle Voice is brought to you by the Beverly Willis Architecture Foundation.  Funding for this podcast comes from the National Endowment for the Humanities, the National Endowment for the Arts, the Graham Foundation.